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Partner showroom / Shanghai, China

See how a room becomes a sequence of displays.

A Shanghai showroom brings dining, tea, living, wardrobe and bedroom settings into one photographic record. Follow the changes in wall framing, illuminated shelving and room openings through 30 original photographs.

Project photography30 project photographsArcaya partner factory
Read the evidence and photographs
Shanghai showroom living setting with framed wall panels and gold-colored focal wall
The living setting combines a gold-colored focal wall, pale framed panels, loose seating and a tall display. / Arcaya project archive.
01 / Plans and photographs

Read the photographic record.

The Shanghai photographic record documents dining, tea, living, dressing and bedroom displays within one named showroom. The original room captions identify each setting; no floor plan is published. Read the visible room relationships without assuming dimensions or a complete visitor route.

Arcaya coordinated this showroom project and placed the order; the cabinetry and wall systems were produced by one of our partner factories in China. Its room settings offer ideas for framing, display and storage; they do not establish current Arcaya material or hardware specifications. Use the English room guide alongside the original photographs.

English room guide

Entrance; dining display; two tea/display settings; living setting; meeting/audiovisual setting; material display; two dressing-room settings; study; bottle storage; three bedroom settings. These are showroom room labels, not a private household brief.

No floor plan is published for this project. The reading follows the visible room settings and openings; it does not reconstruct dimensions or invent a complete circulation route.

02 / Evidence and decisions

Read the evidence together.

A continuous palette can still give each room a different role.

Look for in the photographs
The dining setting uses red reflective planes, pale framed panels and a gold-colored focal wall. The living setting repeats the pale panel divisions but gives shelving and seating a different balance.

Carry into a new brief
Compare the wall grid, opening width and proportion of open display to closed surfaces. Review actual finish samples together rather than identifying a material from its color in a photograph.

Display storage and everyday storage ask different questions.

Look for in the photographs
Handbag shelves and bottle niches present selected objects, while the dressing rooms show continuous hanging runs, drawers and overhead storage.

Carry into a new brief
List what needs to be visible, reachable or concealed. Request internal elevations and lighting-access details for the chosen system; a display photograph does not prove shelf load, cooling performance or hardware specification.

A room caption is evidence, but not a construction drawing.

Look for in the photographs
The showroom distinguishes the material display from the dressing rooms and calls one seating room a meeting/audiovisual setting. The bedroom scenes use different focal walls and bed forms.

Carry into a new brief
Keep these settings distinct when building a reference brief. Ask for the actual room plan and opening relationships before combining ideas into a new project.

The comparison reads photographs and drawings from the same project. It is a design reference, not a measured survey for a new site.

03 / Room and detail

An entrance framed by reflective surfaces.

The entrance view introduces a high-contrast sequence of red reflective planes, dark framing and pale wall panels. The dining photographs then show the same palette at room scale and at the junction between seating, display and the focal wall. Reflections can make an opening appear wider or repeat a vertical element: read the direct views together before deciding how much of a similar finish belongs in a new room.

Dining setting beside red reflective panels and a gold-colored display wall
A wide dining view connects the red reflective planes to the pale wall panels and the table setting.
Shanghai dining display with circular table and wall-framed shelving
The dining setting from a second angle makes the wall divisions and circulation beside the table visible.
Dining table and gold-colored wall with a narrow illuminated display
A closer dining view shows how the focal wall sits between dark vertical framing and an illuminated shelf.
Close view of dining furniture beside an illuminated display niche
The dining detail records the table edge, chair and narrow shelf at the wall transition.
04 / Room and detail

Display walls give the social rooms a rhythm.

The living setting uses large framed wall panels alongside a tall illuminated display. Wider views show how those elements relate to the sofa and loose tables; the closer views reveal the different scale of the shelves and panel divisions. The separate tea/display photograph and handbag detail show another use of the illuminated grid. Keep the distinction between a decorative display and storage that must accept varied everyday objects.

Living-room display shelving beside framed panels and a low table
The alternative living-room angle shows the display wall and panel grid at seating height.
Living-room chairs and natural-edge table beside tall display shelving
The closer living view records the meeting of the display shelves, low furniture and focal wall.
Sofa and low natural-edge table against framed wall panels
The sofa-side photograph helps compare the width of the wall panels with the scale of the seating.
Freestanding illuminated display grid beside a bench in the showroom tea setting
The showroom labels this tea setting; the illuminated grid also presents bags and small decorative objects.
Handbag on a tiered display surface beside framed wall panels
A small display detail shows the relationship between a tiered surface and the vertical wall divisions.
05 / Room and detail

Tea, conversation and carefully placed objects.

A long natural-edge table sits between a continuous banquette and compact stools in the tea setting. Side views make the depth of the illuminated shelves and the transition around the paneled corner easier to read. The meeting/audiovisual setting uses a curved sofa and small tables instead. Compare sightlines and access around the furniture; the source does not document tested acoustic performance or an equipment specification.

Tea setting with natural-edge table, stools, banquette and illuminated shelving
A long table anchors the tea setting between a banquette and illuminated display shelving.
Tea table and stools beside tall illuminated handbag shelves
This side angle places the open shelves directly beside the tea-table seating.
Tea-room banquette beneath three framed artworks and pendant light
The opposite angle shows the continuous banquette, artwork spacing and overhead light.
Natural-edge tea table with stools and paneled wall backdrop
A portrait view records the table edge and the clearance between the stools and banquette.
Illuminated shelving and table at the corner of the tea setting
The corner detail makes the shelf depth and panel transition easier to compare.
Meeting and audiovisual showroom setting with curved sofa and small tables
The showroom presents this seating scene as a meeting/audiovisual setting; no acoustic rating is established.
Curved seating and wall artwork in the meeting-room display
The close view shows the seating curve, artwork and panel grid in the same source setting.
06 / Room and detail

Separate material display from dressing storage.

The showroom presents one narrow setting as a material display and the other two as dressing rooms. Their shelf rhythms can look similar in a single close-up, but the wider photographs show different contents and functions. Hanging runs, drawers and overhead compartments need a storage schedule. A sample display needs a way to compare and remove samples. The visible light lines suggest questions about drivers, service access and glare, not a confirmed lighting specification.

Material display room with illuminated sample shelves and adjacent hanging display
This is the material display area; it is kept distinct from the dressing-room photographs.
Dressing room with parallel hanging and shelving runs and drawer storage
The first dressing-room view shows storage along both sides and drawers at the far end.
Dressing-room aisle with hanging rails, overhead shelves and central drawer unit
This is a second dressing room; hanging, overhead and drawer storage remain visible together.
Open wardrobe shelving and hanging storage from the dressing-room entrance
An alternative dressing-room angle shows the opening, rail arrangement and lower storage.
07 / Room and detail

Private-room scenes, a study and bottle storage.

The bedroom settings explore different headboard proportions and illuminated wall compositions. A separate study view shows the desk and wall behind it, while the bottle-storage views distinguish a broad display from a close niche. The final bedroom scene sits behind curved glazing and curtains, with a circular bed frame and gold-colored wall panels. These are showroom compositions: the photographs do not establish room area, a residential layout or a climate-controlled wine system.

Bedroom display with dark headboard wall and slim bedside furniture
One bedroom setting uses a dark headboard wall, slim bedside furniture and a separate vertical panel accent.
Bedroom setting with upholstered bed and warm vertical wall accent
A second bedroom setting compares the bed against a different headboard and wall-panel composition.
Study display with desk, chair and framed wall backdrop
The study photograph records a desk setting rather than another bedroom view.
Bottle display with horizontal cubbies and illuminated lower shelves
The broad bottle-display view shows horizontal cubbies above lit shelves; temperature control is not documented.
Close bottle display niche with illuminated shelves and framed sides
The niche detail records the shelf spacing and lighting relationship without implying a wine-preservation specification.
Circular bed setting behind curved glazing and curtains in the Shanghai showroom
The original curved-glazing view retains the physical graphics on the glass and the circular bed frame beyond.
Circular bed frame in front of gold-colored wall panels and vertical lighting
The direct bedroom view shows the circular frame and tall illuminated focal wall.
Circular bed scene viewed diagonally through curved glazing
The diagonal view links the curved glazing, curtains, circular frame and adjacent room opening.
Bedside light and circular bed-frame detail against gold-colored wall panels
The final detail records the light, frame and wall surfaces at close range.

Project record and design use.

Location
Shanghai, China
Project type
Partner showroom
Rooms shown
Entrance; dining display; two tea/display settings; living setting; meeting/audiovisual setting; material display; two dressing-room settings; study; bottle storage; three bedroom settings. These are showroom room labels, not a private household brief.
Production
Arcaya partner factory
Drawing and image set
30 project photographs

Arcaya coordinated this showroom project and placed the order; the cabinetry and wall systems were produced by one of our partner factories in China. Photographs and drawings are from the Arcaya project archive and are used with our partner factory's permission.

Use the case to discuss spatial and joinery decisions. Confirm materials, samples, hardware, dimensions and local installation responsibilities for the actual project before ordering.